October 25, 2010

It is pertinent as hell. Words.

I don't remember the year I spent at Choptank.

I don't remember anything specific, it just sits more as a memory of sense, gray and swirly with the occasional feeling of peace thrown in to the thicket of my reserve filed back then.

I moved from Anngar Farm the first week of November 2008, it was a Friday and I stopped my car at the edge of our 400 acres of feed-corn and soy to talk to two flannel-clad surveyors parked on the side of the road. The farm, they confirmed, had been sold. For all I know it happened that very day.

I talked to Brandon on the phone for about one minute. Then I called mom. I cried most of the way to 301.

Choptank was an hour from Chestertown by the backroads, which are the only roads I traveled back then, it was something about the soothing lay of the road against my tire tread. It was calming, all that farm country, all those trees, the changes of fall seizing the land. I was working for Chesapeake and had roughly ten sites in two rural counties spread out between well over 100 square miles. It was the something I could count on--I'd been on the Eastern Shore for a total of eight years of my life by then. I counted movement by the markers of farmhouses, wide turns in the roads and fields.

Besides leaving Brandon, I left behind a town of friends. A movement of local culture centered around both homegrown food and music, one that I personally worked hard to motivate and set within a momentum. It was sudden, to all of them, my departure. It was sudden and wrecking to him. It was like death, a numb whack of shock to the chest, to me. It was a miracle those first three months that I could even breathe.

I can say only that I was depressed back then and that is why I had to leave, and in a large way this had to do with being incapable of stating what I wanted. I knew what I loved but was too frightened to cultivate it or own it. I really believed it was something I did not deserve and so I went back on things all the time. My truth was changing because so much of my truth included lodges of fear, no dissipating no moving through, therefor no knowing for sure what I thought I thought for sure I knew. For months after I left Anngar lived in me with a filter of dull over it, but the fall is here now, the geese are calling and the trees have that certain subtle whisper in their departing leaves. I remember now so much. The fields that shivered purple at dusk. The yellow light on the barns and the half-there outbuildings and the way the birds carved the air inside. The sounds my kitties used to make in the high camelia bushes right out front. Old time records through the speakers at night, night after nights of dinners and the high chaotic laughter of our most amazing friends. Unannounced drop-ins from Sam. Coffee in the morning hot on the throat and cup hot on the hands, on the weekends the cool side-porch view of the shady hardwood trees against all that green. The quietness there with my love. Holding hands.

Last week, or maybe the one before that, I found my journal from the year I spent on the Choptank River, out in isolation renting a room in an 1800's farmhouse, talking to the water and laying in the grass. Over the years, since the early 2000's anyway, I've kept a practice called morning pages--writing three pages of longhand mental minutia download. Just getting the crud out of my head. It's something, a trick I've relied on with consistency that came my way via two different helpful books, that simply is the one true tool that's led me through. But I forgot about it: when I took up writing a novel morning pages were replaced with stronger doses of honesty on my blog. How I used my blog changed then, for sure. Literally this became the place of truth-telling, of writing my way through and thank god for it. It's helped codify the process, helped me shave down at the edges and in the great balancing act of writing for self versus convening with the audience, it's been the primary vehicle of me establishing how best to tell what I know. So it shocked me anyhow, discovering the hundred or two pages of writing my way through while at Choptank. Page after page of the same old horrible stuff, literally so much grief. Some of it ancient, some of it pity-pot, some of it contextual and some of it nameless in ways that kept me deep in the dark hole. Oh god the bravery it took for me to write all the way through! I had no idea, literally no recollection, of those pages being there.

There are loads of things I would different if I had the experience to do-over, and aint that the funny thing of it--I'd do it different now because of who I am now, but becoming who I am today had everything to do with going through those mistakes and casualties the hard way. Ultimately it comes down to that's just the way it goes. I stand poised in her today though, the woman who didn't know how to firmly say who she was or have the strength to stake her claim in the world. It is my own tiny miracle, my own heaven that is mine and mine alone and meant for only me to understand. It is pertinent as hell. It is the ground beneath me and it is the country of wild within me labeled not only what I want, but who I am. I hope the people that I hurt through it have forgiven. It has been a long hall, that one where forgiveness is gentle and blame retreats itself and lets open the next door, that one dark eddy of grave self-sin. I hope they all know how much love there is within. I am moving on from the chapter, the words falling like clean rain or leaves funny and quiet, but imminent, all the same. I am trying to convince myself in my most silent parts that the words are worth all I have, are at least as important when translated in to what I've come to give, from what I've lost and equally come to learn I own.

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