Showing posts with label The Impulse. Show all posts
Showing posts with label The Impulse. Show all posts

September 30, 2011

Oakland

 These pictures are of memories, a fairy, & making friends.

In Oakland I sleep with the back door opened.  There is no screen just a second floor wood veranda that looks out to the right at Lake Merit and used to have green plants all over it but now just has Jon's tent, airing out.  The breeze is always light and cool, and steady.  It makes me think the music up the street or downstairs is a festival in the street.  Which means Oakland has carnival air.

Tonight after work we ate Italian food on a corner at a wrought iron table.  They drank wine.  I had a down feather in my hair that made me think of getting clean.  We are working a lot, which feels good.  At night I run next to the lake which smells like sweat, or fish, or salt.  Like home.  There are always tons of people, in the dark, walking their dogs, sitting in the grass, being romantic, holding hands. 

I love laughing, that is a theme of Oakland, that and the peace of being myself and having nights of quiet company.  I love how the air through the back door breezes me to sleep.  I am going through something very recently that makes me realize how much I've grown when it comes to intimacy.  Which is good, because back when I realized I needed it, growth seemed the hardest, most far off way.

I love Oakland, Jon wants to live here forever, to maybe never leave.  I get it.  I would feel the same, too, if I had a home with laughing and peaceful carnival air.

November 30, 2010

Poltergeist Love, the power-full prayer. & the hokey pokey.

Ha ha when the people say you're still writing?What's that book about anyway?  Yes I'm still writing yes I'm still writing what's it about?  Well what's life about?  Up to your own two eyes.  Human hearts and the poetic voice oh unfair unjust world.  Ha, the sun.  We rose up out of the primordial goop-funk amoebic then with gills then feet then thumbs.  Now voices.  Sing, speak, speak the earth the roots and the moon.  About this stuff.  That's what it's all about.  That's what all this is...

??

I walked in to my room two months ago with the vaccum cleaner in my hand and smelled the most real smell of him one of the many many hims in the long list of powerfull hyms oooops did i mean that, misspell of course of course (i have devil eyes!) i did.  I have poetry leading up to this.  I smelled him and laughed, there was a shadow on the wall this happens so often with the openness the other side of the creative wall that i laughed but also, angered, quick chased him off.  started to rerun the vacuum then had to tell someone so of course i told kel.   now this:

i have written so long, so long so long (nights at truslow first time back room paul asleep in sleeping bag down coated warmness of woodstove heat trapped inside tall pine trees at truslow spring-truth please those long, terrorizing days o would you come voice or death something, be raised all those terrible days at anngar farm.  o and let's not forget oregon?  the time first, knelt on my knees ordered a used computer over the internet came in a box banged up set it in the corner of the trailor on a small table barely a foot off the floor beach days so much sun tree afternoons so much rain and i would kneel there, write and of course pray) i have written and written and waited so soo long for this and now i am here, having written it out every step and abracadabra open sesame code it took to bring me this far.

erika printed out all i'd given her by the end of august 14 months of submish.  hundred plus pages?  nothing congruent.  now congruent as a dream! funny how that says as a dream as if in the sleeping sense with only one eye opened and not knowingly de dos mundos there is ever anything relevant to see.  as if sight is relevant without it too.

Finally, i am there, this is not a dream. i can smell pine strong as spirit it is real right here with me and on fb another stooopid sign, i say to the muses


ooo holiest of holy all things as one all dark and light all encompassed version of all things encircled and the encirclement of all that ever was and this voice and the outter that handles it, and ever on, and the still uncapsized moment prior to breath, o all love and creation and loss, set it all aside now as i poool from this flood as i pull under and go down to come up with all i have within, set is aside let me do thou work holy of all most especially of my name you have the quality just help me with quantity show up to the page

i am set up now, my ducks in a row.  this is fun, the most exotic strange poetic-practical place i have ever been.

October 1, 2010

On Craft: Ferlinghetti & The Real Work.

Glad for the discourse, the go between that happens in the mythic when I engage myself creatively. The serendipitous alignment that entrances Brooks and I...couldn't get five pages of my novel done the other night so I blog rolled for inspiration and discovered Mike's post about Icarus. Dead-on time for me, because so recently I was feeling so good about having the vision for my book locked-in, but not being able to write had me fighting myself in such a gnarly way my wings definitely felt burnt. I write a response back, and link to a post I wrote last year about the Duende, and that post eyeballs me with Liz Gilbert's whole piece about creativity being a dance.

My job, do the work. Write the words, period.

Not my job: to figure out why or why not, how or when the Presence, the great Muse or Duende or Genie or Impulse or whatever else I call it, will show up and visit and it will all feel right and with the flowwww...

My job, do the work. Continue to educate, to read. To read to read to read, and to cultivate fresh, open mind. This is The Real Work--remember that? Literally, show up. & too, the intriguing relationship between showing up and taking in new knowledge and doing so in a non- prejudiced way. Let's take apart that word: non-pre-judged...My application of Real Work, to show up to your own life in a active way, courageously taking yourself on. Finding where you are programmed to beliefs, ideas or behaviors that are not authentically your own. Unselecting them.

Cultivate dissidence and critical thinking. First thought may be worst thought. This is Lawrence Ferlinghetti in Poetry as Insurgent Art. I love this. It is saying just that to me: question everything, including the what-I-consider-sacred. First thought=Best thought? Well, this is extraordinary, yes. Spondown works for me because I believe in honesty, writing the truest sentence I know. Which means I just sit down and Gooooooo with the words to get it all out, come what may. BUT--what if the first ten thoughts are fear-riddled, are examples of me lying to myself because it happens that the subject matter arises insecurities, and insecurities for me taunt out old defenses I picked up as a kid or something. First thought=truth in that scenario, but only in so much as Herman Hesse would teach. Everything is true, including the opposite of the truth...

So for today's lesson, kiddies? I'll leave us with us this, also from Ferlinghetti:

Dont be so openminded that your brains fall out.

& yet (fine, subtle nuance, funny little dissident line where ever-present newness of this eternal creative moment lives....)

Become a new mind and make it newer.

September 29, 2010

Of Note: Self-Portrait In Ink

by Bruce Beasley

As the gone-
translucent

octopus
jet-blasts into evasion, vanishing

while its ink-sac spurts
a cloud of defensive

mucus & coagulant
azure-black pigment,

self-shaped
octopus imago in ink, so the shark

gnashes at that blobbed
sepia phantom,

pseudomorph
that disperses into black

nebulae & shreds
with each shark-strike

& the escaped
octopus throbs

beyond, see-through
in the see-through water, untouched--:

so, go
little poem, little

ink-smudge-on-fingertip
&-print, mimicker


& camouflage,
self-getaway, cloud-

scribble, write
out my dissipating

name on the water,
emptied sac of self-illusive ink...

____

This is a love story; and
bitter prayer, in disappointment to
be more than
I have been.

February 27, 2010

BURNT UP

The first thing that happened is I chose to let my house start to go.

By that I mean my apartment, of course. But it's the first time since I moved in and got unpacked that I stopped picking up after myself at least every third day. And I watched in a madness that was rimmed mostly by delight as the order around here, bit by bit, started to whittle away.

I knew all along. This is a need to have some control: when it gets real bad, when it's real bad I'll know and then I will open the windows and go gangbusters in here and get to clean up and feel like I have some sort of power over this place.

I have poems accumulating again, lots of them and I have started to want to post them, but I wont. Bc there are some things I get about myself now, about my voice, about how I write. And to post them would mean to change the formats, and the formats are good because they are intimate to me. My artistry. I am 33 woah no I'm not but I almost am--I am soon 33 and have been writing poems in spiral backed books since I was 14. I am 33 soon and I know me now, know my voice really for the first time and I've never before now felt good about that. I have been writing as my first religion since the choice I made on the steel-posted squeaky twin bed I fell in love with Brandon with at Libby's old pad on Wash Ave: This is it. This, writing, this is what--no matter what else--I will do. "This" to quote my fave line from a poem back then, This, all I ever had to fall back on. So I am for the first time in my life secure enough now, secure in my style choices--affect on the rhythm and cadence of things--in voice choices for reasons I only just recently fully got are political to me, in content and theme that arent choices but that compel and create and are simply born of me much as I turn to and motivate them.

And so it is February again, that bone-haired last week of February that always singes me to deadened discretion on the inside. I am an assault pariah when it comes to that silly toss of the head term Winter Blues. Blues aint the half of it. But I keep going I keep going I keep going the words take me there and write me all the way through. And I refuse to substantiate the society claims, the impartial explanations: it's just chemical, merely the result of lac of light. Of course! But we dont get what we mean when we say that because most of us dont get IT'S ALL LIGHT. IT'S ALL, AT OUR ESSENCE, ABOUT LIGHT. This is soul stuff we're talking about. This is the twinkling nebulous of mythos that glistens on the inner wall of tramps and blue bloods alike. What are your darkest secrets, those rat-teeth gnaws that have you crawling the walls of you in there, especially when the Great Everything with preened deliverance is making us all East Coasters--where the deep blood of societal injury cellularly and in the very earth remains--sit still from snow again and again? Think not of dead-ends but reasons--those are the motivators: The Divine Hungers. The ashes that linger are deceptive, we forget they are reason and once were bone tissue and scars and are meant to feed the later-coming new life of things.

Take medicine or get drunk or stoned or mean fucked-up, or, the best, lie to your self lots and all you want. I'm booted at this now--a soldier who knows the cadence of the diligent rhythm ellipses of her own soul. So I know the truth of me this time for sure: I am burnt out. Going over the same exact chart of this same exact time last year--when my ailments manifested truly in dis-ease. I literally remember standing in the back office at a family support center this very time last year, way out in the country looking at all the bureaucratic broke ass stuff I was required to do, feeling so hopeless and powerless, Haitian refugees literally crowding the door in the shy way they do when they dont speak the language and also dont know you yet. And being on the phone with someone else from work and her laughing about all the excess: the numbers of numbers of students out in the sticks we are responsible for/to. And I felt that same thing break, and it happened, the same thing but not nearly as deep a break or elemental, again this very week. My job is one fit for a liar contented on kicking the ashes. So much of society stays content on this, on the look-down at your feet neck-stuck cramped stare. There are eyes I suppose that must stay most-way closed because to open them up, and I know this, takes a lot of willingness and mostly can be an awful, awful lot of pain and grief. Dealing with reality, at first, often is...

But my eyes are opened, and have been.

My voice, carrying crying laughing learning loving seiging destroying but all the while leading me through, and fighting for my own ability to trust in it all along, is the reason why.

February 24, 2010

i ride

Poem for the day, in honor of good things yet to come. Po'girl show tmrw nite, (Night Cat you still blow my mind) yeeeeaaaaaa!!!!! St.Vincent tonight w walshie, and a personal day and excursion to the home land all day today.

This is my favorite poem by Ms. Lucille Clifton, in honor of her life and her vision. She was the former poet laureate of maryland and died the day before valentine's this year. Amen amen amen.

hag riding

why
is what i ask myself
maybe it is the afrikan in me
still trying to get home
after all these years
but when i wake to the heat of morning
galloping down the highway of my life
something hopeful rises in me
rises and runs me out into the road
and i lob my fierce thigh high
over the rump of the day and honey
i ride i ride


February 11, 2010

Epistles

Once the sleep kicked in I could’ve slept forever. The streets outside are white, same as the walk & the yard, despite the plow. The sun is out now but there is no place to go. All the trees have bunched branches in clusters hung low to the ground. The first snow started Friday in the afternoon & didn’t stop until late in the night the next day. I checked the streetlight, other side of my window & heavy curtain, about once an hour through the storm. Heavy storms like that sometimes you just look out. Arrested, wordless. It’s what you do.

The second snow started Tuesday & started with sleet drops and rain. I was walking back from Coffee Cat with someone we’d been writing some of the afternoon. The sky was grey in that ominous way the air has of making it seem bigger than the sky. A block from Hanson the first ice drop hit me & then the second, Did you feel that it’s starting I said too quickly & then felt silly bc it betrayed not really the panic but the extraordinary awe I secretly felt. I knew the next storm was going to be a big one. We were snaking our way along a foot path six inches wide in some sections & in some spots that ended in snow banks & put us back on to the street. He came in for dinner, we watched a movie then I sent him on his way bc my place is too small for a sleepover that might last more than one day.

It iced all night & I watched out my window as it changed to snow around 7am the next day. I was awed, but getting nervous, too. Ice on the lines is what brings them down I remember bc of 1999 & the power outages all over Anne Arundel, & three of my boys in the hospital after that, it was late night when I begged them not to drive home.

They called me witchy after the accident but had been doing that for years. It was just how my mom used to do, try to warn me off certain nights, then I’d end up in big trouble. I never listened to her & so it would piss me off like she’d jinxed or cursed me it took me years to get that it wasn’t a jinx just her gut feelings & so finally I started to listen to mine, too.

When the snow did start in the morning I’d been up for four hours already. I put a movie in & when that was over slept on the sofa most of the day. I was up from around 4 in the afternoon til midnight again but didn’t do anything except Facebook & sitcoms on TV. I feel deep asleep at midnight & woke this morning at 10 & could’ve kept going. Sleep felt so delicious to me then, so organic, like marrow to my bones. This elixir is what I’d been running from. I am still under the covers & soft sheets the sun is out some people are walking or shoveling. But this is the deep rest I knew I’ve needed & I hope my neighbors don’t mind that right now there is no place, none, that I want to go.

~~
What I'm listening to: Madeline

December 15, 2009

On a creative witchy mind

I dont know, this might be hard to relate to, but a friend of mine told me once that I am a spiritual archivist not just my own but for all of our friends. I was thinking of this tonight when I uploaded some pics onto my computer: 150 shots from Thanksgiving through this weekend. I almost never, ever wait that long between events to unload shots, but life has been hectic and I am walking along inside of it, tired but not weary, just moment to moment and wow have my moments been full.

And I do, I do: I keep track of the cycles of my self, and everyone around me. I dont just mentally acknowledge things, I mean I have a literal requiem storehouse on those that I count as tribe members, close friends and Knectors to my soul. I can't articulate this circuit board that goes on, but I am always filtering in the details, hearing their stories, processing their tales, then processing back for them the current myth or tide they are riding. I dont even realize it it's just what I do. I mark passings, and everyone's peaks and tides, by various means of traditional and non-traditional poles. Like today, the new moon, most powerfull tide passing time of year. All over the place people I know are witnessing: they are starting brand new goals; or taking pause; or hitting pinnacles in current circumstances; this is how we do, how we rise, how we flow, how we pass, how we current ever so swiftly or softly along. Somehow in my head I always easily see others big pictures for how it all easily is weaving together.

I guess what got me thinking about this was uploading these pics tonight, in that it'd been so long since I'd done so. I immediately caught myself nodding: ahhh yes, a quickening just occurred, I went through three whole weeks of straight archiving rather than also organizing and cataloging. My lens backed up and resharpened: in that time the poetry and magic and words have been flowing through me like mad. I've even been penpal-ing with someone the whole time: all of it, all those examples of capturing what is happening all around. A quickening, a quickening of the tide.

And the wind here, when it gets blowing, has been blowing like crazy just like last year on the last day of the calendar year. Winds so high the Choptank River and Elliot Bay both looked like the ocean at high tide.

Dont think it's a joke the old saying winds of change. Folk lore is some of the wisest medicine we have, yes? Everything at all times around us always is eternal reality of creative present moment. Our fates whisper in the wind sure as on the radio or in the trees.

Wild whipping winds tonight on the Eastern Shore.

Winter Solstice is coming: get it guys? Monday it all peaks, right before our closed--or if you're brave and learning to fight for it--at least half-opened eyes... What changes will come what changes are already half on their way?

December 11, 2009

Poetry vs poetry and First thought, best thought

Ever since the little river started or since I surrendered anyhow and agreed to jump in I haven't been sleeping well. As alluded to before, that can trip me out cuz for someone such as me who has psycho-mania in her catalogue not sleeping can be a dangerous thing. But it's not, not now, and that is the cool thing--I am awake at 4, or 2, or not sleeping at all--or only for two hours or so this week when I get home from what all week were 12 hour days and I'm like whatever, I'm going with it. It's like Bobby Ray the shaman said once years ago, it's only your fear that will keep you sick...

Anyhow since for me writing is Queen and blogging has become part of my practice, part of the discipline of my smithing away at this craft--in very much the first thought best thought style or what I've taken to calling spontaneous download--I thought I better jump on here and give some time to my practice. And then there's the act of writing poetry, different as I explained to a new writer friend just yesterday or no that was two days ago by now, than Poetry capital P which to me is an ethic, a tribe, or value--a state of not just being touched by the madness but alluring and living in it all the same: the saying of the Holy Amen. But as a wordsmith, as a practitioner of art actually writing poetry is different than say the practice of just first thought best thought, and also different than memoir writing. It includes it, but becomes too a strange cohesion of like, sitting in my boat on the river but keeping too a mild hand at all times on the oar. But not using it for paddling, more as like a rutter, that with the slightest touch does indeed effect the trajectory of surface gliding, but only in as much as a pebble might effect a ripple, and the water and the boat--the whole experience of the trip ultimately is of the same...

I wrote poems yesterday so that is why I am thinking so to speak aloud. No, that was two days ago--in the morning, five good poems that remind me a lot of that November in 03 when I was in my little room off my studio apartment on Mt.Royal. The poems and momentum that started my litmag Cantalma and also was the beginning of Fishing Rock.

Ahhh, hello little river. You fucking ho! Careful what you wish for sometimes? I wouldn't change it tho, wouldn't change it at all not even in exchange for the world...

December 7, 2009

Shampoo My Planet & call me X

You know, it's late and I put in over 10 hours today and have to be back it at 8 tmrw. But I've been up blog rolling and living in the cyber dream of future days when I have my little shack & it's all tribe and art and self-education and off the books schooling of new generations of tribe and calling and new fearless ethics and Poetry as Real Work and so on and yea, it's late, and this little river, and, well you know...I could go on and on.

Anyway. Serendipity!? I got in to all this meat on Friday in my memoir, wrote for 5 and a half hours at the Panera, then took a break for dinner and convo for about an hour and a half, then got back to it, writing til well past midnite. I was writing a lot about the 90's, riot grl, coming up, tribes, death, the duende, imagnation and it's doomed demise.

Read this post! Yes! Not so much for the Pumpkins myself, but damned if Friday I didn't spend an hour in urging longing wistfullness over the first Lolla, & Janes Addiction, 1991....

December 5, 2009

Writerly Things, Reflections: Eddie's Place, Crofton & Back in the Day

This man I loved greatly died in the winter when I was 19, about to be 20. It was January, something like the 18th or 19th when he went. I found out on Thanksgiving only two months before, his son Little Dave told tell me Kel, dad's got cancer. I was standing in the basement at mom's getting ready to leave for some kind of impromptu day after Turkey Day family thing like bowling or whatever somewhere in the county with one of the aunts or uncles and cousins. Little Dave showed up, walked down in to the basement with the weirdest smile on his face. You always remember where you are the moment news like that hits.

Eddie was Little Dave's dad, and he owned the pizza shop I grew up working in. The whole time my dad was living in Cali, and my mom and I were fighting like blood and daggers, and my dad and I not speaking unless we were hating and yelling, Ed was a Pop to me. Teasing me, hugging and smiling and also yelling and scaring the shiz out of us and keeping me right, best he could for us anyhow, keeping his look out.

A month later it was Christmas, I was at the community college, had just started waiting tables at a fancypants joint in downtown Annapolis cuz the GM from Jersey came down and fired me from Applebee's, which is what happens when you cuss out a customer. It was before gentrification and the uptown yuppy parts of Naptown weren't there yet, same like Baltimore and the Harbourside condos and three and four star restaurants--none of that was there, just projects and ghettos and old abandoned warehouses no "revitalization," yet.

I was trying to not touch drugs anymore because two things happened when I picked up: I was likely to spin out and go a little crazy, and simultaneously once I started I could not stop smoking or sniffing or popping or whatever else it was I had to do to keep using once I started, no matter what the hell was going on with my body and mind. So it was days before Christmas and I went to Eddie's house, with a poinsettia for him and a letter mapping it all out. What he meant to me.

It was the last time I ever saw him. When I left I smoked a joint and circled the Crofton Parkway, and all the Christmas lights clean and glowing, and how could all that be going on normal, all these everylive's, and Eddie's gonna be dead. My mind mindlessly looping I drove the backroads Underwood to St. Stevens and on and on and back and back and Eddie was gonna die you know when the cancer's got someone like that you can just tell and lemmee tell you, I was young still, and fucked up. About three weeks or so later I pulled in to the parking lot of the restaurant, Eddie's Place, for a Sat night shift because I'd volunteered to take shifts again when he got sick. And one of the teens that worked the kitchen like I did when I started a sub girl came running out and said, Did you hear? Eddie's dead.

I was mad at her because she didn't know him like I did and how could you just drop the news like this out here in the parking lot under the grey eyeless sky? She hadn't been there all those years. Soon Maura was there and Mark and I think maybe even Cuddy and Kristen, too, then Billy came up, and we all cried a lot and didn't know what to say it just all happened so quick, then Little Dave called me, and asked me to give a eulogy on behalf of all us, Ed's restaurant kids.

The day of the funeral, or memorial service which is more what it was, I had to miss the first day of my first creative writing class, ever. When I showed up on the second day my heart was locked heavy with grief and little did I know, my Prof Susan, soon to be my first writing mentor, assigned to me a key and essentially said, go ahead, unlock. Unload. We had to turn in a memoir at the end of the semester, an autobiography, responsible for a large part of our grade. The first page of mine was Ed's eulogy.

What stands most out to me that spring was this compelling energy, this literal river that felt real and loving and natural as gold and that I could feel, all the time, like a channel just moving along through me. All I had to do, my only job, was to show up in my boat and then be willing to go. I didn't even need an oar in hand.

I wrote like I'd never wrote before, every afternoon, sometimes starting at 11 in the morning when class got out and not stopping until well after mom had gone to bed. I wrote, and wrote and wrote. It was the easiest, and also hardest thing--when it got to the pain-parts, like wringing an already rung dishtowel sometimes--that I'd ever done. And it was easy, because it was so natural. I just showed up in my boat, like I said, and off I went.

Later, Susan wrote a recommendation letter to Washington College for me, and helped me prepare a selection of writing samples. By the fall of that year I'd moved to Chestertown--hellooooo Eastern Shore, and life of Acadamy, and Institution, again--and then well you know...Here I am and So it goes, so it goes....

That was 11 years ago and all I've ever wanted was that river again. A huge part of the power of that river is merely trust. Trusting the river, but you can only do this if you're strong enough to trust yourself, and your boat, too.

In Chestertown I got sober, and lost a lot of the gleam of who I am. The radical starry-eyed sassy warrior grl I'd always been. I let her go with sobriety because, like the first line of Ed's eulogy says, My name is Kelly, though most you of may know me as that crazy girl from Eddie's Place and funny as this was, it was also true. There's always been a stigma for me of crazy associated to life prior to getting clean because of, well, because of the plain and straight experiences of literally and totally losing my mind. Drug related psychosis and figuring out if it really was cuz I was mentally ill, and the long hard battle all that was back then.

Bit by bit, year by year, I've tried to rectify it. Time and distance and maturity account for a lot.

The Duende is scary because death and crazy are scary. And it is painful, because only the artist knows so intimately the mid-wifing required of creative growth. To have to confront these, to have to be willing to confront it if you want to be brave enough and strong enough to do the work you secretly think you're capable of. And is anything really worth that hurt?

This morning, I was lying in bed and thinking about trust. I thought, you lived like this once, in 98, and again in 02 for that teeny little bit of time til you shut it down becasue of shame. And then, why fight it, this pacing coursing energy you actually feel growing and growing these last weeks, why fight who you are? I started to get up, to come write more on my novel, and then my room, my living room with my bed in the corner so that my bedroom could actually be my writing space, stilled. I stilled, in a moment of discovery which I guess is just acceptance, again, on yet a deeper level.

Acceptance of self.

The gold channel, the river, there it was. There I was, in my boat, on its shore. A small little click of peace happened, or not a click, just more like a feather floating softly to land even less than breathlessly, on the ground. A quiet soft sweet motion of getting my feet wet. Of stepping in.

My river is back. My gold channel is here again, refound.

I've keep looking at my hands and I can't keep from crying these wonderful hot tears all morning long.

December 4, 2009

On Poems, & the Writing Nuts

My new pal Mike, this writer-buddy from here in Easton and self-proclaimed lover of running (Mike I had to edit that bc instead of writing running I originally wrote "funning"!), long-boarding and his kids and fam, who also is re-discovering his voice and source-creativity-power in motion of song and poetry and light, just wrote this post about the first poet that ever turned him on.

Sandburg. It's a great post read it. The poem he posted is a dream all charge charge gogogo.

Who was yours?

For me it was Emerson, tho, & as I should of paid attention to all the way back then, it was his prose/ethics that first stood out:

from Nature
To go into solitude, a man needs to retire as much from his chamber as from society. I am not solitary whilst I read and write, though nobody is with me. But if a man would be alone, let him look at the stars. The rays that come from those heavenly worlds will separate between him and what he touches....

I remember, sure as anything, the moment, dropping on to my desk my own handwrote wilted journal of softback poems with a soft thwush of its pages as it landed because my teacher, who had a funny long name I no longer remember, mentioned the Transcendental Eye. Holy hell I thought in wonder and looked at her dazed, mystical, like she'd just woken me from a dream and here I am surprised as I was to find that I was in reality. I never did my homework it was my junior year so her lesson was all new to me, my first AP class and mostly I was consumed with having gotten arrested over the weekend bc one of the upperclassmen girls in the class had ratted on me at the party after I left blowin up my spot. Yea it was me that left the seen of that hit and run. (It was a parked, empty car that I took the bumper off of, not some poor shmoe left to wail in the street...)

Here, here! this teacher telling about the Universalism's and Transcendentalism and for the first time, here, here is some work that gets my attention, here are some writers I can get my hands on and I want you to know I read him, and Thoreau that whole afternoon in the back of the locker room and later, instead of religion class with Ms. Bo.

Next of course it was Ginsberg and the best minds of my generation destroyed by madness, starving hysterical naked...which would come to me and come to me later as I taught in the jail and needed to show these young street savy black men how fierce, how true, how real Poetry could get it on. I still remember the ache and sizzle reading it aloud in that cold, dark and stale windowless room. The eyes and nods and caught breath, the looks on all their faces....

It was Snyder that helped me cross the threshold, tho. Now we're in college, I am clean, my brain for the first time harnessing and focusing and making real connections through and through. The Bath. I wrote a 10-page paper on it in three hours flat and it was the only A+ I ever got with not one mark or yea, but...feedback. It blew my mind, and my prof's, too. Read it. Read it out loud like Mooney taught me to do. Pay good attention to the comas, the indents, the natural pauses until the rhythm gets in to you, melds with you, the poem and you are it and become you, and bigger than you, too.

In other writerly news, I want you also to stop by Erika's post today for a little bit of communion. God, this girl. I totally feel her, remember nodding out behind the cash register at Play It Again Sam's my senior year of college because I was working on my first and only fiction novel and was up all night long three, four nights, whole weeks in a row. Coffee infusions and lots of cigarettes. Sitting up out of dead drenched sleep with lines charging through me head. I cant wait to see where she ends up....

Happy weekend, friends. It's sunny out here on the ol EC, again! O sunshine my true and hope-full friend.

December 1, 2009


I discovered TedTalks indirectly a few weeks ago when Erika sent me this link, and directly a week later at the first writing gathering I went to here in Easton.

This is so fabulous, a talk that really encompesses so many of the late night talks I've had with folks like Walsh or KRuss or Brooks. The idea of the Duende is in here, and of Ego and Narcissism, of Genius and The Impulse and The Calling and The Tribe, and the shadow and its various instincts and results...all those fabulous things that compel me when the sun goes low and the dark time is here....And Poetry!! Listen to 10:18 on about Ruth Stone the poet! Holy hell o sacred impulse. Get a cup of coffee or glass of wine and settle in.

October 13, 2009

The Impulse, Itself

Mom and I watched Grey Gardens last night, the one with Drew Barrymore that HBO did. I never knew about it, the two Edith Beale's their relationship to Jackie Bouvier or the 1970's documentary about them. The madness of a woman, or women, when dreams get deferred.
Creative madness. Genius. How it levels you, pummels you, brings you to your knees--your knees the only place, of course, and credit here to Erika for the reminder--that, so humbled, you may find your redemption?

The Impulse to me comes on in many different forms. Which is to say, despite the Muse or not, life shutters me sometimes it just does. Ahhh god and to feel that shutter. To feel for that shutter! In meditation It said that is true desire. Photos that capture the lines of distinct, but wordless. Longing or wonder, or boredom. Sacred human fucking boredom! Colors, no matter what form or aesthetic: clothing, a painting, a tree dropping leaves or the grand fall sky. Music that makes me feel like a bullseye by what, or how, it's said. (Right now in fact that would be Cant You Hear Me Knocking by the Stones) Certain people. Conversations. Late night fires. The way the air breathes. Kir and LDubb do it for me a lot of the time. For a long time it was this guy, his name is Josh, he still does it for me but it hurts to feel him gone so most times I just dont know what to do with that. I told my mom today that I remember being 15 in the Goodwill, the smell of the books and the way the little blue corduroy jumpers from the 70's made me feel Like I actually heard the little bells ringing, the spheres of heaven grind in unison on axis' gold in their tilt, I mean the soft moths of my heart fluttered aloft--the Goodwill closet!! I'd discovered myth! I found me! Being on my moon, that too is Muse, or sacred certain Impulse, to me. Being so fervently swelled when my Moontime is here. I mean there are times, like today, that I actually talk like that!
And more, I do things like I did tonight, with a vintage apron on that I found last week and a scarf around my neck that I bought today at an Antiques/Bookstore located on the dusty bottom floor of someone's old farmhome, I waltzed around the kitchen. The scarf is the most gorgeous shade of ivory that I have ever scene, it makes me feel royal, or sophisticated and that is because it is made of lace. It is from 1962. I got it for a ridiculous cheap price. And the paisley apron still had the original tag on it. Mom came in and there I was dancing with the arms of my scarf up off my chest and in the air in either hand. She grinned at me, me back at her. Then we were laughing our asses off cuz, my god, were like the two Edies? That cracked with the madness or the love?
No no, I've been there before. Cracked with the madness. But when it comes from disruption, fear. Repression. I mean I been there. It's like Joan Burroughs said Either you know now what I know (and dont ask me just what that is)...or you just dont. And that's the thing I hate how long it's taken me to trust what I know. I mean, for years creativity was struck up by madness to me, the bad, scary might not make it back kind. Period, it just was. That's what happens when you really follow that clean kissed line far, far out there. Sometimes, it's amazing, but you dont get all the way back. Or safely that is. And then, if like me you do make it back, you do get let down from that lone tree well ever-after you struggle: do you walk the clean Safe line rather than the kissed one? Cuz then like a stubborn ol asshole you still pride your self on your aesthetic, on your discipline, but at the end of the night unwittingly you court the madness anyway cuz you're not being true to yourself and besides no one wants to be a asshole. For me it was never so stable, I had to fight for it, have to. Just for the conviction of kissed. It's easier now, I trust it. Trust the conviction. Trust the moony witchy psychic thing, too, just as much. For me there's no separating either of it out. I can trace back to when I first came to the gate, face to face to claim my own conviction in a open-eyed way. Can look back to the fall of 2006 and a car ride to Baltimore with Patty who gave me the book that I studied on Christ and our conversation about Gandhi. A party in Philly. A night all night long with the poetry it was Fishing Rock still in those days and my friend Paul asleep in the next room all the way from Oregon. A conversation with Kelly Johnson and a prayer, specific, beseeching on my knees. The spiral way I've revisited that lesson of then, of conviction at the far side between the gaping space at the end of my hand, again and again since then.

And that's it. Miserable clean KISSED line. How very fucking hard I've fought to take the kissed, golden, one. How I'll fight for it, now that I'm actually starting to live it these three turns of years flick flick swish goes the page, these three years later. How I'll fight, and surrender, and fight again to surrender, just to keep up now, and maintain....
I'll fight, smiling, even. Gladly!


October 7, 2009

MUSE-IC makes me feel good, like me



I saw this unreal show last week. Elizabeth and the Catapult. My friend Jeff invited me. It happened at a venue that I can walk to from work--the coffee shop where I love to do my writing! Jeff's wife Susan is the reason I am a writer and now Jeff is the reason that I am amped for live music again.

Nite Cat's been redone to fit about 40 to 50 people in it's back room and Mangold Entertainment who books for Peir Six and Rams Head is bringing in the music. They added a corner stage, heightened the ceiling so that the timber frame is now exposed and painted it black. I am not one to know about acoustics and the effect that building aesthetics have on sound, but if I were I'd figure that the reason for the change. That, and it looks cool.

So, the band. At one point I looked around the room and thought, this must be what it was like when people saw Jenny Lewis play for the first time. Elizabeth's vocals and presence are both that good and the band, musically, is just the right trippy blend of circusy sound and entertainment, and raw but cohesive beauty that vacates the center of my heart in a hot breathy way and makes my blood run funny and fast, so that the swell just makes me move or cry with joy. God-damn did I come back in to me that night, it was the end of a long day of intake, end of an even longer week--and I'd been trippin that day a little over having to make some big decisions and so almost backed out of our plans. Next thing I knew tho there I was listening to the opener this singer/songwriter guy with great long folky lyrics and funny stories about his granpaw and a voice that actually sounded better without the mic. That part of me, the poetry in the middle of the night the mamamoon star earth worshiper who speaks and believes in the ancient tongue, in live fires and barefeet, in six or seven people sleepy in my kitchen for pancakes still punchdrunk with wildeyes, that inner spiral me lit up in a way it hasn't all year, and seriously, like I said, my breath quickened.

The only other time that happened this summer was when Brooks played me his solo stuff on his Ipod.

By the time Elizabeth, whose head from behind the piano and under her fedora kept bobbing up and down like a muppet at the end of the show when the grand performance in the big hall came on, and who also had the widest sexiest smiling eyes that closed and opened just right the kind with a secret and laughter in there, started really singing that fabulous loud voice smooth as the curve of quiet night sky, the words came to me and the poetry was all bubbling up and I was, a couple times, so touched I was laughing out loud.

Ahhh, muse-ic. What you do to my soul.

The next night I wondered back in, just to see if anything was happening... And got to watch Charlotte Martin perform. She was good, a lot like Tori Amos which I admire the beauty and talent of but not enough to listen to multiple songs in one sitting cuz they just start to sound the same. I was happy I went tho, it was a great way to spend Friday night and at one point she asked the audience who there was from Easton or the general area and only me and two other guys raised our hands. It was packed house. I was impressed. The guy that opened for her, Matt Duke, was equally good in an intense I just pricked my finger on a stickerbush kinda way and it hurts and I dont want to look but have to...He disturbed me but made me laugh too, the best thing he did was cover you are my sunshine which makes me think he's tender and actually hasn't found his comfortability with this, yet? I'd see him again if he headlined.

I'm going on vacation tomorrow for 10 whole, sweet clean days!!!! I am seeing three shows, too, at least...! I'm thinking a lot about when I was little and used to dance in my tights in the driveway to the boombox Lisa Lisa or Prince or Miami Sound Machine, then in middle school at the sock hops on Friday afternoon god how good was Rob Base!? and then later still when I was teenagy and pissy and would throw myself brutally in to the middle of the pits at the old firehall shows. Fishkiss Mustard Seed Magic or S.Q.U.I.D VRKOLAKA (i looooved the drummer!) of course the PeeTanks, too. Sonic Youth at Michael's. The Beasties too many times to count. The HFStivle when it was only $6 for ten or 12 bands!? Getting Veruca Salt's autograph when they played the second stage. Stars in my eyes....Flannel shirts and Doc Martens.

What it's like in the winter to stay long up late, with poetry and paints and witching hour muse-ic all fluent and braided and what I have in common with the most eternal space.

It's Wednesday in October in Choptank, I've been up on and off since 2am. The fog is lifting, there is a great pale blue sky coming on the West horizon. I have 24 days left here. I am alive, shining.

Change's gonna come...!

Thank you life & of course holy amen.




May 31, 2009

Photo Doc

Last night, I saw my first firefly of the season. Today, my first dragonfly. Walking up the dock here at Chop the river wind keeping things cool and light--white trumpet flowers growing in a mass of vines at the edge of the fragmite and water stopped me and grabbed my breath--the energy here, a mere yard from the river, was hot, and green. Summertime. Thick stillness, rich. Fecundity of surge and spirit. I. Love. It.
I am home from my road trip & taking pause to let it all settle in. Maybe I'll write more about it should the words move there way up and out...

For now here's a photojournal full with more shots than most of you could ever care to see. And this isn't even half of them!




































































































































































































































































































































































































































Thank you Dhamma thank you road thank you path thank you Way....
Thank you Blessed Nature of my sweet sweet being.

April 14, 2009

Waxing Poetic Will Never Kill Me Enough

I seem to find the taste of this air
sour, the face of this plain
as his eyes
quick-changing as the wind

The tide moves in the same direction
home, flagging
and backwards it
never wins

Just keeps on going
on. I must practice caution

if poetry's come back to me
to be my friend.

~~
Good god isn't this always the way? These words they flow like rubble--I mean that, too--like little freakin pebbles out of me sometimes and it is such a struggle to just allow them the motion of letting go. Because--why? Because it hurts if, when, it ends? Like above. I'm walking out of the damn house on Friday to go the beach and they just start coming. I was fighting them, for sure, I knew once they started off I'd go and who knows where I'd get to or just when I'd be back. I've been fighting them a lot. I jotted down just enough, just what's above, got out just enough to let the surge pass so I could get out the door. Got those little bitches of words out like you might, I dont know, force up a long SoCo drenched Saturday night. Retchingly with sore ass knees. If you will...

Ugh I'm having such a bastard of a time committing to me. This is it, I guess, my last little stretch, my last little dusty basement catnap before I step out in to the sun. What I mean--well, here, Jung said it about people like me: "Perhaps alcoholics were people who had a greater thirst for the spirit than others, that perhaps alcoholism is a spiritual disorder, or better yet, a spiritual condition." Yes it's called ravage. Ravage hunger for life and rapture. Fucking poetry. You bitch-slap me every time.

Perhaps I am being vague. Apologies dear reader as you climb this my mental Jenga topple along with me in my head. (Metaphor tribute to Sarah over at Moleskin Dreams, thanks thanks thank you) What I am thinking about is this--as Jung saw it alcholism, addiction, is a sacred disease. We compelled by its claws either thirst too greatly for life and love and all its bawdy passion and beautiful hard parts and thus drink to settle this ache, or else drink to create it. Either way what a taileating snake are we. But Jung's greater, deeper implication of the disease is the aspect of recovery--finding deep within the wreckage of one's own mass calamity the very seeds with which to regrow. It is the case of he who knows the dark is who shall most value the light. And true true true to form this is my great medicine of Crow--the Value of Truth, or, to paraphrase Herman Hesse, how Everything is true including the Lie. The funny little dichotomy of tiptoe-ing or even outright booty dancing a while with fear, anger, laziness, obsession, dishonesty whatever....that the triumph over these parts is not just a full gaping swallow of the flaws of humanness, but at once the transcendent power deep within the human to overcome herself and her blocks through acceptance of herself and her blocks, when finally she stops fighting herself and sees it she herself causing all the pain. Ahhhh, that we might all bask in this eternal conflicting growth circle of beautiful fucking misery-laden joy...
!!!
Which brings me to poetry. How I live and die I swear to you at the end of the day it is sometimes the only thing that sees me through. And I think that this has everything to do with the actual ethics of poetry, which to me is a very real and personal thing. Ethics meaning the principle of it. Poetry to me is not just words on a page or even mystical deepwetfeelingurges that partly cause me to almost scream. Poetry is a lifestyle choice, a calling, a certain commitment to attitude of reverie and awe, a commitment to taking it all in with a big painful swallow, a commitment or a way to approach life. It is a belief, the truest one, in magic. It is the Art of self-creation. It is the Art of self-deception. It is, at the end of the day, the Art of Self, and Living.

So my last challenge, whenever I get this way wound-up--cuz oh, believe me, I been here before--is reckoning poetry with, to put it contextually, what I know of Jung. The ability, finally, to surrender to the final unknown. To say, okay the cord I am bent all the way around is actually the cord of me, and I need now to let go. I need, ahhhhh okay I'll say it, to let go of this control, or at least this illusion of being in control...

The final final softening that comes in a great gasp when I come down off myself and ask for help. The giving up. At my wits end and my final door, the final Demon guarding the gate is poetry, she just wont let me through. And how long will this dance go on, seeing as how I know it is she who will turn in to my Angel, too?

She's so glamorous with her whistles and her ribbons and her bows.

Ahhh, sacred hunger.

I hate this part....I always forget right here, this last step to the threshold, who I am and what I'm all about. Oh oh oh... "I wanted to change the world. But I have found that the only thing one can be sure of changing is oneself." (Aldous Huxley) But you can't change by trying to force change. Ahhhhhhhhhh oh god I'm just about there, I swear I can feel it is this me beginning or just getting ready to almost begin....??

Anyhow. This post was inspired by a marvelous freakin piece over at The Curiosity Shop that had me up with wheels rolling last night. The writing is so fine, but the intelligence is clearly a craft in its self. If you're anything like me you might get why Kelly's post prompted this somewhat random response. And I swear I'm not propping her cuz she shouts me out. Or at least that's not the only reason why....
!
What I'm listening to: DeVotchka. These freaks are my freakin fave.

January 25, 2009

I took my Joy back

So, in preparing pictures for my weekend in review, I thought about this thought I've wanted to blog about for the last several days: It is really hard trying to be a grown-up.

I mean, at the risk of sounding whiny--does anyone else find this to be true? Like, it's really stressful. Showing up day after day to your job, keeping schedules, paying bills on time. Am I right? I swear to god were so damn busy "keeping up" that we've lost all the natural wild instincts that keep us connected, cyclically, rhythmically, to the pure effervescent nature of things. Which means, to me, that we're dangerously close to losing our joy....

This really hit me when I threw my hands up on Friday, in the middle of my head practically spinning off my shoulders cuz the hamster up there was running so fricken fast trying to keep up with all the things I had to do--and I said to myself That's it. I'm done, done for the day. And I decided then and there that I was playing hookie with the rest of my day. I was sitting in traffic at moment of said decision and wrote a poem to celebrate. It was good, a long rhymey one that was honest and full of simple truth.

Then I drove to Newark, DE, and had a fabulous afternoon in the unprecedented 55 degree January sun, laying on a bench on the campus at U Del pretending to be carefree as a student again. Then I bought these fabulous glasses:

and this fabulous bag:

and a delightful present for a sistah a mine by the Portland, OR designer responsible for these gems, above, all at the dishy little boutique that is yuuummmmmmmmmmm, bloom.


Later that nite I dug The Took, formerly The Big Picture, at Andy's in Chestertown. Really I forgot how freakin jammin these guys are. And how kind Ian T is. Also got to hang w my grrrls. Had some fun.




































Brooke me and Laura

Today dad and I drove up and met my bro, his girl and my mom at my grandparents. How fricken lucky am I to have all of them?

Me and my bro Sean w Grandma and Papaw over xmas

Finally, I've been thinking a lot lately about what I care about. You know, like what really matters to me in the heart of things. I read once in some book that our time ought to be spent on what we value in order to live a fulfilled life. Well intrinsically this presumes that one knows what s/he values. Is that true--do you?

It made me clear about a truth of my self in a deeper way: how much I value the commitment to Real Life, living from the inside out, as authentic as possible. And why I love art/music/writing/
poetry etc so much: the essence of processing this human life we all have. And I clearly understood why I am so supportive of all these phenomenal musician friends I've always had around me. Yesterday afternoon I used myspace to discover a tona music the way that I've been using blogger to dig new writers/artisans for a whole year now. This myspace thing kept me busy for at least an hour. Which reminded me how important it is
A)to live what I speak
B)to speak what I care about:
Support Independent Music People!!
what I'm listening to right now: maggie at the grand piano
YUUMmmmmmmmmmmmm