Poetics and the political, Charlie Mars & learning as I go

We sit on different sides of the same table him and me and I forget it's because he writes fiction and I'm a poet but no that's not true, either--it's not that I forgot it's more that I never thought about it in those terms.

It is snowing, hard, when we walk down Goldsborough on our way to see Charlie Mars. He points this out, that he is not a poet and has never written poetry. There are still a few cars on the road downtown but for the most part the air is filled with wet white specs and everything is grey. The Coffee Cat, when we enter, is warm and my glasses mist over immediately with steam. They already had snow drops all over them.

Earlier, when he first got to my place, I was still in my frump clothes and only had time to brush baby powder through my hair and put on some musky oil. While he waited I showed him Carrot's Zine and so of course we immediately started talking Craft.

It's funny how he pisses me off--I defend stream of consciousness and first thought even as I'm thinking about me editing editing editing. Prose and poetry. The intersection between first thought, the consciousness it draws forth from there, and the sensibility to edit but still keep the Beautiful Vision in tact. I think about being pissed and realize there must be something new in this conversation for me to gain.

I think about other men who've pissed me off.

Charlie Mars is good. Really good. I fall in love a little. With him, his movement, his stories, his clear, kaleidoscope voice. I am glad he's not with his band. The poetry moves in me after a while, I want to call out and make him stop and make the snow outside stop coming down and make my skin stop tingling the way it does when the acid first kicks in. Remember that? A body trip we used to call it...but no, this is not acid it is the Duende, the Descention. When the song first hits and starts to ring through me. It makes me, sitting there, feel crazy a little like how it used to when I didn't know what it was.

It would be fun to hang out with Charlie Mars. I think he would be good at making out. Which is or isn't the same as hanging out. Depends on who you're with...Also, his songs are full with stories, like my Memoir, so by the time it is over all I want to do is write. Write until the snow goes away, write until it is night, and then the night is day.

Later, after Charlie Mars and after walking to the grocery store in the snow and no cars on the streets at all, he is sweet and makes a list of things he does when editing. An actual list. I smile a little and there's that inner eye-roll. Teacher Tom. I keep reminding myself to be open, to learn. To be teachable. We are both Aries only three days apart so that's a lot of fire.

Then today we are back at it again, He is very plan plan plan work work work and now I am decisive in putting my finger on his position and refuting it. I've got diPrima out, we've been reading poems to each other. Dinners and Nightmares. I point out who she was, who she is, I identify her myth. Nightmares: Her regular run-ins with violence in the name of authority and institution. I am redblooded and hot faced in defense of her alchemical free verse, impassioned, breathless about women in the fifties being locked in sanitariums and asylums if, for example, they didn't want to marry. Of course it's important to know the Cannon I am saying, I'm not refuting that at all, you need to know the rules in order so that your voice might break them as dictated and become strong and true on your own....

I open Pieces of a Song and run my finger over the bent pages. My eye stops on Poetics which I dont ever remember reading but I know this will be the one. I go there: If the New York School and the establishment were symbolic of the Patriarch then her voice, her Voice, was anti this. She was a scholar. She channeled Blake and Keats. She knew what she was doing. O'Hara and Ginsberg claimed the same things. But can you find a book of hers at Borders? Not often, most times no, no you can not.

I am defending my self. I know this. The white sun is reflecting the snow and my little living room is full of light. I plant my eyes on his, gain silence, and smile. Then read

Poetics (Diane diPrima)
I have deserted my post, I cldnt hold it
rearguard/to preserve the language/lucidity:
let the language fend for itself.
it turned over god knows enough carts in the city streets
its barricades are my nightmares

preserve the language!--there are
enough fascists &
enough socialists
on both sides
so that no one will lose this war

the language shall be my element, I plunge in
I suspect that I cannot drown
like a fat brat catfish, smug
a hoodlum fish
I move more & more gracefully
breathe it in,
success written on my mug till the fishpolice
corner me in the coral & I die

He leaves soon after, I walk him out and breathe deep the fresh air so sparkly it makes me feel like I have lung fulls of clean sharp sun. I go back inside and use all his suggestions, index cards, color-coding, all of it. All afternoon I work and come away with an organization plan for my memoir broken down by year: 1994 all the way through til now.

I am happy, satiated. I am passionate, yes. And learning to be wrong.

Or at least, still learning to learn.