What hungers you. In quiet.

I can not count the good people I know who to my mind would be even better if they bent their spirits to the study of their own hungers... (M.F.K. Fisher)

Dawes is up there singing.

The only thing scarier than dying is not dying at all.

There is wetness on my eyes, I have been in a place for the past two weeks of protection and keeping close ties on my heart, trying to be with it as it goes through its ups and downs, and now I am delivered. I am in my heart again, of it: the drum pounds the bass keep my beat and courses out in my blood all the way through to the nerve endings, the guitar's my spirit stretching out past my body. Taylor Goldsmith's totally American boy singing is finally giving me words.

It starts to go through my head, it's just a muscle. The heart. To this I can submit, I can revel in the beating wonder of getting to feel it. To just feel it, the greatest gift of all. This is wisdom: to know I'll look back on this time with gratitude and reverent longing.

My girlfriend whispers to me during set break. She tells me after her last relationship she'd completely lost all of her music interests but didn't even realize it. Her man criticized, or at least disapproved of the indy stuff that turned her on...so she let it go. Who knows how that happens? Silently, in little increments. That's how you give you up your soul. How you turn your self off. Piece by piece. Until you're so absent that you're used to feeling like your taking part but not really, only just a little. Dull, sort of looking in from the outside.

The band is less than five feet from us and I am relishing the show. I forgot how much this spot defined that time for me of naming, of recall. The time just behind me in Easton, in my first and only glorious space all of my own, when I called myself, bit by bit, detail by detail, hunger by blessed sacred hunger back to myself. The Nightcat, its black high ceiling with the exposed beams, the way the air runs in light circles back there, the red lighting. I was grinning all day in anticipation of seeing Sonia Leigh and Dawes, but I forgot how gratifying the venue is. How important place. The intimacy of the fifty or so of us having such visceral experience together. The catalogue of signed indy CD's, the pictures, I have to show for it. How much music is was and continues to be a map that's drawn me back to my own life.

In the parking lot I hugged my girlfriend goodbye and stayed extra long in my cousin Collin's arms. It was cool out but still so you could feel the weight of air. He is mind-blown, totally, by the show. Earlier, over dinner, he told me that he wants to move to Brooklyn Park where our Grammy lived, where his grandparents on his dad's side still live. He's been canvassing on a political campaign there all summer, dust and sweaty and I envision him, freckleface, blond and golden, is he in a button down? I am reminded of our hike in the fall, me and him, and talking so fervently about the GED and English students I served. About the unquestioned nature of class that so securely underpins racism. About my belief that many of our GED students I was certain had undiagnosed learning disorders, because the money for those resources just wasn't there in their neighborhoods when they were young. He said to me then that though his major was government he was thinking of focusing on education policy. Because when I talk about government I have to think about it, but when I talk about education it just comes right out of my heart. I remember my footing when he said that, stepping over the wet dark dirt, feeling my heart bottom out over the wisdom of this teenager who I've known since literally birth. Last night he talked about moving to Brooklyn, impoverished, crime-ridden Brooklyn. Brooklyn, because that's where the people connected with his heart when he bangs on their doors. They are the ones who made him feel equally fired-up.

When I left Collin and my girlfriend I met the girls from my old work for a late night catch-up. It was already 11, but the server at Applebees let us close the place down. We literally stayed til 1, cackly screaming laughter, the greasy food, couple of tears, the updates on Adult Ed and on my own life (I read a lot, I sit on the beach. Poetry--big self-conscious grin at this--I'm writing a lot of poetry. Tomorrow I will sleep late. My stresses include I wonder if my table needs more rolls...Coffee? Coffee here? And hmmm do I have another little black dress as sexy as the one I wore last week?) It was all put wholly, and gratefully in perspective for me. But I realized too how passionate I was for Adult Ed. It was a justice thing for me. Making opportunities available where they weren't before. It turned me, greatly, deeply, on.

In all things there are tides, and I for one am quiet and amidst a tide of great still. Life's cycle right now is on the long slow retreat and how I so love this time of year, the thick buoyancy, the savory greens, the dark yellow slanted light. The shadows in contrast. The feeling of heavy breathing that makes you so aware of the intermittent shafts of air to highlight the stillness. I have been submitting to it, which is not easy for me this Aries full of fire and passion and heat. Humbling myself again and again to the larger nature of things, allowing the silence, the stillness, trusting towards the inner-listing, the tiny hungers, to in stillness eventually speak their fisted minds. To become the palm, flat-opening. Allowing. It is hard. But that sweet unanticipated space, that wild curve within, fleshless and still, is there. And this is as beautiful as anything else: this does not mean what hungers one is missing. It means only that in full satiation there is quiet in the bliss. There is message in the silence, when one surrenders to wait and hear.